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In this episode, Erica admits that she was the one who destroyed Vangie |
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In the re-enacted reprise of the ending to episode 60, Tim’s body is seen just inside the secret room, whereas in the previous episode his body was completely inside it, behind the door. Additionally, his body is lying perpendicular to the door when Quito finds it, whereas in the previous episode it was parallel. |
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Tim Stanton’s body is actually played by Bruce Gray. He can clearly be seen when Quito finds him. |
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In a scene where Quito is down in the lab, when Kurt Shiegl closes the lab door it swings back open behind him. |
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| EPISODE 62 |
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As Mrs. Marshall goes to open the main door, the studio lights can be seen between the cracks in the walls. |
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When relating her killings, Erica says “and Angie, whom I strangled” when referring to Vangie. |
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As Jean Paul and Alison talk in the lab, a rather large bug flies directly in front of the camera |
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In the same scene, the studio lights and set edge can been seen in the corner |
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| EPISODE 63 |
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In the closing scene of Episode 62, Holly, Jean Paul and Mrs. Marshall talk around the dining room table, allowing Erica to put the poison in the wine glass (image 1). When the scene is reenacted at the beginning of episode 63, Mrs. Marshall is on the other side of Erica, unable to distract anyone while Erica poisions the wine (image 2). |
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When Erica talks to the portrait of Jacques, she pronounces DesMondes (De-mOHnd) as “De-mAWnd” |
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As the camera zooms in to the portrait of Jacques, a boom mike shadow appears to the left of the portrait. |
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| EPISODE 64 |
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Quito conveniently puts an oil lamp down in the boathouse and then leaves, allowing Jacques to use the lamp to set the boathouse on fire. Why Quito just sets the lamp down and leaves is not explained. |
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Speaking of Quito, after he puts the lamp down in the boathouse he mysteriously disappears and is not seen for the rest of the episode. Where he goes is never explained, and he is present in the beginning of the following episode. |
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When Jean Paul tells holly to lock the door of her room and let no one in, Sylvia Feigel does not actually turn the key in the door lock. She simply puts her hand on the key. Later, she goes to the door and turns the key to open the door, when in actuality she would be locking it. |
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Before the scene cuts from Holly’s room to the boathouse, running water can be heard off screen as the water buckets are prepared to fight the fire during the boathouse scene. |
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| EPISODE 65 |
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The opening recap of the previous episode is different, featuring new dialogue from Jacques, who tells Erica to hate Holly’s youth, beauty and purity. |
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There are no final words between Holly and her mother during the reprise of episode 64's cliffhanger, whereas Elizabeth and Holly say a tearful final goodbye in the actual episode 64.. |
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The tides on Maljardin favor the south shore |
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This episode is one of the longest in the Maljardin arc, clocking in at 22 minutes and 20 seconds. |
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Erica wonders if Quito is invincible when her stabbing does not affect him, yet she is well aware that he is a zombie and as such is already the living dead. |
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When Erica beckons Holly to her, she has to pass in front of Quito to get to her, yet Quito makes no move to stop her |
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Jean Paul’s final words on the island are “Maljardin! Maljardin!” |
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Jacques’ parting words to Jean Paul (“life will be for you always a strange paradise”) mark the only time that the series title is actually used in the episodes themselves |
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This episode marks the end of the Maljardin story arc |
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